Karthi is awaiting for his last release in 2010, Naan maahan alla after Aayirathil Oruvan and Paiyya were declared hits.
Naan Mahaan Alla, directed by Susindran who made one of the most appreciated films of last year, Vennila Kabadi Kuzhu. Kajal Agarwal is the lead lady in the film.
Karthi talks on what to expect from the film, which releases this Friday. Excerpts:
With all Television channels covering you up for the independence day are you the current golden boy of Tamil cinema?
I don’t know. I don’t think so. I am just a normal actor trying to do good work. Actually it has been a long journey for me from being an assistant director to an actor.
Are you a Saint in Naan Mahaan Alla?
I am not a saint [laughs]. I play a middle class Chennai boy and the film is about his life. The values shown in the film are middle class. The film shows how positive a guy could be.
After shooting films outside Chennai, that is wandering on the roads of in Madurai for Paruthiveeran and in various jungles for Aayirathil Oruvan and on the National Highway for Paiyya, I have been wanting to do a film in Chennai, and this film is the result of that desire of mine. It was like coming home.
Is it a family drama?
It is actually the guy’s journey through his family, his first love, his first job, etc. And then, something strange happens in the city and that affects the family.
What is the the reason for the title?
It is an abstract way of saying what the film is about. In fact, the climax of the film justifies the title.
The title is the same as that of an 1984 ,Rajnikanth film...
The director had many titles as he was looking for a title that is similar to Naan Mahaan Alla. Then, everybody suggested, why not use that title itself if it suits the story. He then spoke to Balachander Sir who happily gave us the title.
What was the reason you accepted to act under Susindran’?
I saw a strong film-maker in Vennila Kabadi Kuzhu. But it was entirely the character that I play in the film that attracted me, and also his journey.
I play Jeeva who is full of enthusiasm, energy and looks at life positively. He loves his life and the people around him.
What is different about this film is that everything about the story is very real; nowhere will you feel that it is a film. The dialogues are natural and the entire film is that close to life. There is no cinema in the story.
Could you see yourself in the character?
Very much. Paiyya is a film where I look like myself. But here I am myself. It is very difficult to be yourself on screen; you can only be as natural as possible.
Did you enjoy doing the film?
Very much, especially the romantic scenes [laughs]. Everything about the relationship is middle class; how the girl and boy find out each other’s phone numbers, how they first talk, how they meet in public, etc.
You said you enjoyed doing the romantic scenes. Were they like what you experienced in real life?
I do not have these kind of experiences at all! That is why I enjoyed doing them. For the first time in my life, I rode a bike with a girl sitting behind me.
You mean, you never got a chance to go around in a bike with a girl?
I was never allowed to take the bike to college; I went by train. So, where is the chance? All the opportunities I never had in real life, I got in this film [laughs]. That is why I am enjoying my life as an actor! I can live the life of other people.
You have a beautiful heroine in Kajal Agarwal.
Yes, she fits the role perfectly. Her expressions are hilarious in the film. For her, it was like a breath of fresh air as she has done Telugu films where everything was over the top; always well-dressed and with make up. But in this film, she is so fresh and simple and looks so beautiful. She has come a long way from Magadheera.
Was Susindran very particular that all of you have a normal look in the film?
Yes. I wore clothes which every normal middle class guy would wear. I was also particular that I should not look like a hero at any point in the film. In films, when the hero is with his friends, he always stands out which I didn’t want. I should be one among the friends.
You have done four very distinct characters so far in your career. Which was the toughest?
Paruthiveeran was the toughest. Paiyya was also tough because I had to be graceful and towering all the time.
How was Susindran as a director?
He was quite easy to work with. We had rehearsals for a week before shooting. Only my scenes were rehearsed and we shot that with a video camera. So, when the shooting started, I was quite comfortable with all the scenes. Because we rehearsed, the output was better.
Susindran had rehearsals for Vennila Kabadi Kuzhui also as he had all newcomers in the film. When he said, why not we try for this film also, I was ready for it. It really helped when we started shooting. Both of us knew what we wanted, so we were in perfect sync. We were very comfortable with each other.
You talk a lot in all your films.
It is very strange. I am always talking in all my films. That is how I am in person too.
What kind of films do you like to act in?
I like to do films with a lot of humour. Of course, there should be emotion too.